#MIXBUS 32C COLORS PROFESSIONAL#

#MIXBUS 32C COLORS PROFESSIONAL#

Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync video pullup/pulldown.Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX and VST3, VST and LV2 plug-ins on all platforms.Extensive DAW editing features including “Smart Tool”, Ripple Edit, and configurable keybindings for nearly every operation.Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.

Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation.

Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track.

Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.

Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts.

The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.

Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.

Precise emulation based on Harrison’s famous analog console circuit designs.

Straightforward “knob per function” mixer layout based on Harrison’s renowned music consoles.

But some people ascribe a huge difference to dither so yes, the sound of the mixers will be fundamentally different to a discriminating user. In practice, if the EQs are both set flat or bypassed, the difference should be vanishingly small: similar to the magnitude of dither. meaning the signal is always passing through the math, ( bypass simply means that the gain for the EQs is set to '0' ). In both products, the channelstrip EQ is 'always in circuit'. The sound of Mixbus and Mixbus32C are largely identical. This provides more grouping and effects buses, and allows you to manage a larger mix than the regular Mixbus.

Mixbus32C provides 12 stereo mix-buses, with send-level knobs on every channel strip. In addition, each bus send can be 'panned' separately from the master bus pan location.

We expect this to meet the needs of users who are mixing 8-24 channels.

Mixbus provides 8 stereo mix-buses, with send-levels on every channel strip.

But feature-wise and sound-wise, it meets nearly any need for equalization you would rarely if ever need to add an additional EQ.

The 32C EQ requires a larger monitor, to fit all the controls on-screen.

The Mixbus32C EQ is a recreation of our analog 32-Series EQ, which has 4 bands ( the top bands can be switched from shelving to peaking ), and both high- and low- pass filters.

There are a few cases where you might need to add a plugin EQ, to solve a specific need. 90% of EQ jobs can be handled with a 3band sweepable eq, and a high-pass filter.

The Mixbus EQ was specifically designed by Harrison to match our historical records of user's settings.

32C is the more expensive program, and it provides a bigger, more feature-ful mixer. Rather than charge less for 'limited' versions of Mixbus, we differentiate the price by the 'mixer' features, which is what Harrison is known for. In both Mixbus and Mixbus32C, you receive a full-featured DAW with unlimited audio tracks, unlimited MIDI tracks, and unlimited plugins.īoth Mixbus and Mixbus32C provide professional features such as VCA's, video playback, 'ripple' editing, timecode display, LTC/SMPTE sync, and other features that are rarely included in an entry-level program.

Mixbus 32c colors